Curator — Volume Two, Drop 7
Contributed “Clock Time”, then introduced Brad Barr and Hammock.
“Clock Time”
East Forest: music; production by Trevor Oswalt
“I recorded this song after returning from an intensive week-long songwriting session focused on lyrics and vocals, so it was refreshing to drop into a purely instrumental space and record a slew of acoustic instruments. I always appreciate the 'imperfections' of real instruments and the character they impart.”
East Forest is a multidisciplinary artist, producer, and ceremony guide whose “lush” (Rolling Stone) and “blissful” (NPR) music has blended ambient, neoclassical, and avant-pop since 2008 to explore sound as a tool for inner journeys. He's a faculty member at the Esalen Institute and has collaborated with Ram Dass, Jon Hopkins, and Laraaji.
Every curator brings two more voices into the volume. These are theirs.
“The Real Mirage”
Brad Barr: baritone ukulele, electric guitar, bass, autoharp, iPad, synth; East Forest: piano
“On the Tips of a Thousand Grasses”
Marc Byrd: guitars, programming, vocals; Andrew Thompson: guitars, programming, vocals
“We love the wooziness of this track... like the morning after a long night of ego deflation. It seemed fitting to have a title referencing the morning sun reflecting in dew drops resting on the tips of a thousand blades of grass.”
Hammock is Marc Byrd and Andrew Thompson. Since founding the band in 2003, they've released a string of acclaimed albums tracing ambient, post-rock, neoclassical and shoegaze — scoring Kogonada's film Columbus and licensing music to Nike, Porsche, and Far Cry 5.